Saturday, January 31, 2026

research/analyze/discuss 3 film openings from sci-fi genre

Dune Part 2 (2024)


Research 
Jessica and her song Paul join the freemen, and Paul becomes closer to Chani while Jessica manipulates the prophecy. Paul drinks the water of life, making him the messianic leader, uniting the freeman tribes. Paul leads the Freemen against the Harkonnens, while others join to try to crush the rebellion. Paul uses his power over the Freemen to defeat them. He eventually rejects Chani's feelings and ascends the throne in a political marriage.

Analyze 
Dune Part 2 opens on a black screen with a creature talking about power. A woman then begins narrating from her diary entry. There are mountains of bodies being lit on fire in a desert, and the woman says it's from the battle for Arrakis. The focused close-up on the fire cut scene to the pin on the ground suggests all this destruction is the owner of the pin's fault. It can also mean someone important who owned the pin was a victim of the battle for Arrakis. The piece falling off can symbolize the end of the destruction or a weakening of the universe in which Dune takes place. The close-up on the emperor's face shows his reaction to the deaths and his worry for his people. The woman reveals she is his daughter, and she isn't the same after the Arrakis battle, nor is her father. She reveals that his inaction is difficult for her to accept, especially since Duke Leto died during the battle and her father treated him like a son. The close-up of his frame being burned suggests he meant something to both of them. She reveals that the Harkonnens have done her father's dirty work; the younger man walking up to the older man symbolizes a passing down of power. The all-black clothed army, the Harkonnens have symbolize evilness and are the perpetrators of the battle. The woman says Arrakis has many secrets, but the darkest of them all may remain, while suspenseful music plays in the background, and they show a mid-shot of a planet, creating mystery for the rest of the film. The music becomes louder and orchestral when the title is shown establishes its weight and impact. The child in the next scene is referred to as her sister, in the next scene, revealing her father is dead, and that her brother wants her to "go back to the stars," which is a metaphor for dying. Her brother waking up in the next scene provides a good transition from the opener to the beginning of the plot.

Discuss
I think they did a good job establishing the battle and its importance in the beginning. The reveal of the woman talking in her diary entry about introducing herself when her dad isn't reacting shows how big a deal it is that Duke Leto died and how much it's affecting the emperor. They introduce the Harkonnens by saying they do the emperors' dirty work, and showing a ceremony of passing the torch, implying the next in line to the house of Harkonnen is about to become the leader. The all-black clothing of the Harkonnens symbolizes their role in the movie as the antagonists to be defeated by the messiah. The transition to her brother waking up builds suspense and makes the viewers question how powerful he really is.

The Matrix (1999)


Research 
The Matrix is about humans unknowingly living in a computer-generated world, while the real world is being overrun by robots. The Matrix is designed to distract humans from going back to the real world and seeing the destruction. A resistance group led by Morpheus' ultimate dream is to free humanity. There are agents in The Matrix who enforce the rules and make sure no one escapes. 

Analyze 
The Opening starts with a warped green photo of warehouses, then transitions to the Warner Bros logo. This establishes a sense of mystery and suspense. It creates the questions: what does it mean, what is the location's significance, and what would make them use it as an establishing shot? The music is dramatic and grand, orchestral at first, then uses more futuristic elements for the Village Roadshow Pictures Logo. It then speeds up with the violins, creating a sense of urgency. Coding then appears with the title The Matrix written in code, with the letters slowly disappearing, setting a mysterious tone. The beeping as the green box ticks on and off suggests it's a computer screen waiting to be typed on. The phone call begins with a man surprised that a woman is there to answer his call. She says she felt like taking a shift, then the man begins interrogating her about a man she supposedly likes. The man she likes will be killed due to being the "chosen one" by a man named Morpheus. The call ends when she hears something and double-checks if the line is being tapped into. While the call is happening, the code starts tracking numbers as the phone call is going on, suggesting she may be getting hacked or tracked. The transition from the planet to a flashlight being held by a man suggests she will be getting raided soon, and is in one of the warehouses from the beginning. The music, being quiet and eerie, reflects the setting in a dark alley with electrical wires hanging from the ceiling. The woman looks down at the computer like she knew all along, or at least had a hunch this was going to happen. 

Discuss
The opening does a good job of establishing characters and providing hints of context in the beginning. They mention Morpheus, a leader of a resistance group against The Matrix, a fake computer world designed to keep humans distracted from the real world, which is overrun by robots. It establishes Trinity's love for Neo and how, even though he is the chosen one, she values Morpheus opinion more than Neo's life. It also shows that other characters are aware of her feelings for Neo. It shows the agents and the power they have in The Matrix; they were able to track down Trinity through her encrypted calls.

Star Wars (1977)


Research 
The galaxy is ruled by an evil galactic empire that is building a weapon called the Death Star. A boy named Luke Skywalker and Princess Leia work together to stop the Empire and prevent the Death Star from causing destruction. 

Analyze 
Grand orchestral music for the 20th century fox logo. The music suddenly stops, and the story begins, "A long time ago in a galaxy far, far away". The music stopped suddenly for a dramatic event. A 2nd orchestral theme begins this time, sounding more futuristic than the first. Then, a rolling portion of the setting of the story. It starts off with a battle and ends with a princess racing home to protect her people.

Discuss
Opening crawls were considered old-fashioned back then, but Star Wars elevated it with its own space background.

Citations

1. Dune: Part Two – Opening Scene (HDR – 4K – 5.1) [Video]. (n.d.). YouTube. Retrieved January 31, 2026, from https://www.youtube.com/watch?v=WjJWvAhNq34

2. The Matrix Opening Scene HD [Video]. (n.d.). YouTube. Retrieved January 31, 2026, from https://www.youtube.com/watch?v=kIXNpePYzZU

3. Star Wars (1977) original opening crawl [Video]. (n.d.). YouTube. Retrieved January 31, 2026, from https://www.youtube.com/watch?v=iXDnFYu91vY

Friday, January 30, 2026

Research/Analysis Blade Runner (1982)

Context
Blade Runner starts in a dark, dystopian city of Los Angeles in 2019. It's meant to depict an overpopulated Los Angeles in the future where technological advancements aren't moderated. The big corporate structures indicate this is an even more capitalist future where corporations have taken over. It also provides a class divide between the wealthy in off-world colonies and the poor on Earth, where the poor are forced to live in a polluted world. The Tyrell company coming to power reflects the rise of morally grey companies in the 80s. Blade Runner mixes sci-fi with 1950s-1960s film noir, creating a dark dystopian narrative paired with the rapid technological advancements made in the 1980s. Blade Runner accurately depicted the large numbers of Chinese migrants in the 1980s, with the setting reflecting that. Huge neon billboards, meant to show the Chinese migrants' influence and represent the large corporations controlling the economy, fill the urban landscape.

Theme
Blade Runner, like many sci-fi movies, explores artificial intelligence and the possibility of it replacing humans as replicants. It asks the question: what would we do if AI takes over, what are the moral implications for the future, and what happens if our society gets overrun by them? The film explores what if artificial intelligence had emotions, memories, and desires, and how society deals with them. The replicants originally made to fulfill duties for a large corporation gain human-like emotions, and the film deals with the possibility of them turning on us as well as the ethics concerning AI consumption. It dives into the complexity of what we call human and what is robot meant to make the characters self-reflect on their understanding of humanity. Blade Runner explores what makes us human and what it means to be human. 

Influence
While not initially popular in North America, Blade Runner amassed a cult following for its dark style and futuristic aesthetic. Christopher Nolan noted he's seen Blade Runner "literally hundreds of times." It was voted the best sci-fi movie ever in 2004. 


Citations 
Wikipedia – Blade Runner (soundtrack) page
Wikipedia contributors. (n.d.). Blade Runner (soundtrack). In Wikipedia, The Free Encyclopedia. Retrieved January 30, 2026, from https://en.wikipedia.org/wiki/Blade_Runner_(soundtrack)

Wikipedia – Blade Runner page
Wikipedia contributors. (n.d.). Blade Runner. In Wikipedia, The Free Encyclopedia. Retrieved January 30, 2026, from https://en.wikipedia.org/wiki/Blade_Runner

Article from Art of Smart (Blade Runner analysis)
Art of Smart Education. (n.d.). Blade Runner: English analysis, summary, themes & characters. Retrieved January 30, 2026, from https://artofsmart.com.au/english/blade-runner-analysis/#:~:text=Head%20of%20the%20Tyrell%20Corporation,economic%20power%20in%20the%20West

IMDb – Blade Runner (1982) page
IMDb. (n.d.). Blade Runner (1982). IMDb. Retrieved January 30, 2026, from https://www.imdb.com/title/tt0083658/

Wednesday, January 28, 2026

Schedule

 Week One (1/16-1/23)

  • Initial research about genre
  • Brainstorming ideas for the project
  • Scheduling
Week Two (1/26-2/1)

  • Write the script
  • Storyboard
  • Scope out locations
  • Scheduling filming days
Week Three (2/2-2/8)

  • Finish the script 
  • Filming
Week Four (2/9-2/15)

  • Filming for the film opening
  • Start editing at some capacity

Week Five (2/16-2/22)

  • Continue editing 
  • Analyze first cut
  • Revise

Week Six (2/23-3/1)

  • Creative Critical Reflection
- Work on the slideshow

- Create a script for voice-over

- Research things to discuss for directors cut

Week Seven (3/2-3/8)

  •  Creative Critical Reflection

- Finish Slideshow

-Record voice over

- Research the technologies integrated in the project

Week Eight (3/9-3/17)

  • Creative Critical Reflection
  • Finish before break

Sunday, January 25, 2026

Initial Plans

Initial Plans
Establishing context for sci- fi mad scientist character. The shots zoom in on his hands mixing chemicals together and cutting away to the set design. The set design will be designed by me and recorded on the blog over time. I want the film to start at a desk with an over-the-shoulder shot of our scientist character. Then, close-up shots of frantically going through books looking for something on the floor. Like many Sci- Fi's, we'll include some clues of a dystopian society that our scientist lives in, such as propaganda hung on the walls and evidence of constant surveillance through a camera. He'll get a call and get asked about how his preparations are going, to which he'll respond well.

Approach to the project 
The approach being considered is to develop context and background. This approach allows us to naturally show the environment of the 2-minute film opening. It's to show what's to come, and the remaining film will answer all the questions posed in the opening. 

Things we need to include are:
- Any help with technical needs cited in credits
- The titles are interspersed
- If any images are included, they must be created by us 
- Copywrite free music if not granted permission



Thursday, January 22, 2026

Portfolio Project Genre #2

 Romance 

Typical target audience of the genre
The typical audience for the romance genre is women aged 18-44. Gen Z is slowly taking more interest in the genre. It is slowly becoming more popular with men, but women still dominate the space. White women are the biggest consumers of the genre, followed by African Americans, Latinas, and Asians.

Genre conventions with content
- Focuses on a central love story between 2 protagonists. 
-A happily ever after consisting of the dream ending for all couples, someone committing and going all in. 
-An emotional sequence of events with heartbreak, longing, and making up. This affects both their professional life and personal life. 
-Incredibly character-driven plots with the story depending on the character's growth as a person to make the right choices and steer the film/tv show in the right way. 
-Typical tropes like enemies to lovers, forced proximity, and fake dating. 
-Internal beliefs or external family are getting in the way of the relationship. A love triangle or homewrecker. 
-Support characters like the characters' friends, colleagues, and family. 
-First meeting, first kiss, and reunion are the most important scenes. 

Genre conventions with techniques
-The forced proximity is a pace-based technique, making the characters rely on and trust each other faster than they would have otherwise. 
-This can speed up an otherwise 3-episode-long back-and-forth into 1 episode, trapped together. 
-The dual pov switches between the characters' individual thoughts of both protagonists, showing what they think of each other. 
-This can help show us each character's goals and intentions with the other. 
-A black moment is a heartbreaking moment to show the viewers that the characters are the furthest away from what they used to be, and then a reconciliation showing their bond is stronger than conflicts like that. 
-Further establishing, next time a petty conflict comes up, it won't be as big as this fight, and it sets a standard that they'll brush over smaller fights unless it's bigger than this one. 

Institutional conventions - narrative image, marketing, etc.
-Character archetypes with one being more passionate than the other, usually the man. 
-Digital platforms like Webtoon make marketing much more interactive, with fans participating in events for exclusive merch. 
-The cover, colors, and font styles make the type of romance it'll be even more evident. The film poster defines the overall mood, tone, and subgenre. 

Two film/tv productions that represent the genre
La La Land (2016)
La La Land is a postmodern musical romance. The 2 protagonists, Mia and Sebastian, bond over their shared love for Hollywood and jazz. It has an old Hollywood glamour feel, adding to the marketing and overall tone of the movie. They had realistic obstacles and a real reason to part ways being financial and career changes. The ending was bittersweet, with both choosing their careers over love.
Titanic (1997)
The Titanic follows Jack and Rose as they deal with not only their feelings for each other but class divide and forbidden love. It's described as love at first sight in the movie. Jack's love feels like a rebellion from roses' overly polished, lavish lifestyle. Jack feels real in a way many of the higher-class people do not. In the backdrop of this romance is a historical disaster, and this love eventually ends in tragedy.

Citations 

For La La Land (IMDb page):
IMDb. (n.d.). La La Land (2016) [Film]. IMDb. https://www.imdb.com/title/tt3783958/La La Land is a 2016 American musical romantic comedy-drama film directed by Damien Chazelle.

For Titanic (IMDb page):
IMDb. (n.d.). Titanic (1997) [Film]. IMDb. https://www.imdb.com/title/tt0120338/Titanic is a 1997 epic romance and disaster film directed by James Cameron.




Portfolio Project Genre #1

Sci- Fi

Typical target audience of the genre
The typical audience is teens to adults from 14 to 28. The audience started out as mostly male, becoming 50/50 in recent times. Sci- Fi tends to attract educated, technically well-versed men receiving a higher education, making the demographic younger. Certain franchises can have grown adults consuming all the forms of media in which their franchise takes place (books, films, and games). Dispersing the franchise across different forms makes the reader more experienced with consuming new forms of media and forces the reader to follow along and buy everything.

Genre conventions with content
The film often takes place in a fictional futuristic world or on Earth in the far, far future, making it look unrecognizable regardless. The fictional world is usually in very close contact with space, intergalactic wars between planets, or a parallel/alternate universe that happens to be just like ours, except there's one disturbing difference that makes them feel less than human to us. The plot in these would usually consist of someone getting attached to someone in that parallel universe, not knowing their "secret" yet; this secret will consist of something that's immoral and wrong to the main character, no matter how close they are, it can't be excused. The main character will then go through this existential crisis, thinking they were actually incredibly selfish to want to save the world and have a friend while doing it. They'll feel blindsided but also guilty that they've had their suspicions but purposely didn't further investigate, then that parallel universe character will die and somehow contribute to the greater meaning of the movie and life, somehow saving the world through a "poetic" death and providing commentary to our "dystopian" society or the society it can become. To go further, the fandom will mourn this character and think that their redeeming qualities made up for the fact that they committed unforgivable acts, and if this is a franchise will almost certainly come back to blackmail the main character, his only true friend throughout the series. This friend will be referenced and held against the main character in the franchise enough times to create a second movie on that character, despite not feeling that deep in the moment.
The technology is years ahead of our current tech, featuring spaceships, virtual reality, and time travel. Much of the genre focuses on space travel, alien vs human worlds, and time travel. The themes revolve around ethics, good vs evil, and humanity's future, as well as a commentary on our future dystopian society. Ethics will usually be used in an alien vs human scenario where the humans are doing experiments on aliens or good vs evil, in which multiple human space organizations are at odds. Humanity/Commentary often is someone living their average government-mandated job in a dystopian society until something goes horribly wrong or a rebellion starts, and they have freedom.

Genre conventions with techniques
Sci-Fi films often feature grand scale high pitched soundtracks with futuristic electronic sounds and tension-building portions. They have extensive world-building with hierarchies, social norms, and rules used as the backdrop for something more dystopian or war-focused. CGI is heavily used to create these elaborate space action scenes with very detailed costume design, usually tying back to the hierarchy, visibly showing their place in society. Extravagant props will be made to accompany these outfits with futuristic weapons with near-impossible features. The narrative is hero/villain, but ends up more anti-hero and villain because no one really ends up the hero in these incredibly complex and elite societies in space unless it's a movie about breaking free from society in general, in which most hero/villain movies aren't.

Institutional conventions - narrative image, marketing, etc.
Future exploration in sci-fi often features extremely technologically advanced societies in the future or parallel universes/other worlds that are about corrupt space societies, providing commentary on today's political climate. The social commentary is about how much the government controls our lives and how much they surveil us, and something will happen that allows all these people to escape, either overthrowing the government or just running away. Another premise is AI robots turning against humanity, and we have to fight our own creations. This shows what can happen in the future if we keep advancing technology at this pace, eventually killing ourselves with evolution.

Two film/tv productions that represent the genre
The Matrix (1999)
The Matrix is a dystopian setting where humans are "batteries" for machines. The entire point is to question the meaning of life, that life is "not real". AI surpassing and taking over human worlds is a recurring theme in the sci- fi genre and the idea that humanity is going to be its own demise. The matrix also blends genres such as film noir and action with its dark visuals and Hong Kong-inspired fight scenes.

Dune Part One (2021)

Dune is set in the distant future where intergalactic politics exist, leaning into a "space opera" subgenre. Dune features spaceships, force fields, and extremely powerful weapon but and huge restriction on the usage of AI because of the war. The society, while being very advanced, resorts to fighting a lot, drawing similarities to our reality. Its generally unusual for a sci- fi movie to be so avidly against AI but seeing as this is because of a war contributing to the overall space opera lore, it makes sense.

Citations 

For Dune: Part One (IMDb page):
IMDb. (n.d.). Dune: Part One (2021) [Film]. IMDb. https://www.imdb.com/title/tt1160419/

For The Matrix (IMDb page):
IMDb. (n.d.). The Matrix (1999) [Film]. IMDb. https://www.imdb.com/title/tt0133093/

Editing

 kjnj